Category Archives: Advice

I’m teaching a fact-checking workshop in Seattle on November 4th

I’ll be teaching a fact-checking workshop in Seattle on Saturday, November 4th for the Northwest Independent Editors Guild. This will be a practical how-to workshop for anyone interested in accuracy–editors, writers, or readers–and registration is open to all. I hope you can join me! Here are the details:

Don’t Assume Anything: Practical Fact-Checking

Fact-checking is an important and useful skill for editors, writers, and
readers. But how can you tell whether a piece of writing or a source is
accurate, fair, and credible?

Join researcher Lisa Gold for a how-to workshop guiding you through the
steps of fact-checking—reading skeptically, asking questions, deciding what
to check, assessing the accuracy of different types of facts, finding and
evaluating sources, working with authors, and making corrections. Lisa will
answer questions and share tips, examples, and resources. This practical,
hands-on workshop will take us beyond the introduction to fact-checking
that Lisa gave at the November 2016 Northwest Independent Editors Guild
meeting [watch it here:].

Join us Saturday, November 4, from 10:00 am to 1:00 pm at the Phinney
Neighborhood Center Community Hall (Brick Building, Lower Level) for this workshop. The cost will be $45 for Editors Guild members, $50 for nonmembers.

Register for the workshop online here:

Speaker Bio: Lisa Gold is a freelance researcher, fact-checker, and writer. She has fact-checked many kinds of writing, including magazine articles, reported features, essays, book reviews, historical novels, and nonfiction books. She does creative research for authors of fiction and nonfiction, and she teaches research workshops. You’ll find Lisa online at and on Twitter at @bylisagold.




My talk about fact-checking

The Editors Guild recorded my talk about fact-checking last night and posted it to their YouTube channel, so you can watch it here:

Here’s a link to the PDF handout I prepared and refer to in my talk, with links to selected resources and information about fact-checking:

As I noted in the meeting description, fact-checking is about ensuring that a piece of writing and its sources are accurate, fair, and credible, and protecting writers and publications from errors, criticism, fraud, and lawsuits. I talked about the skills it requires (an obsession with accuracy, skepticism, critical thinking, the ability to do research and find and evaluate sources, and a willingness to ask questions), who does it, why it’s so rare these days and what types of publications/media generally do or don’t do it. I described the fact-checking process for a major magazine feature, what kinds of things you check and particular trouble spots, discussed some cautionary tales, gave fact-checking tips, and answered questions from the audience.

Let me know if you have any comments or questions. I’d also like to know if there’s any interest in me writing about or teaching classes on fact-checking, research, information literacy, or other topics.

For further reading on these and other subjects, browse my website/blog and my Twitter feed.

I’ll be speaking about fact-checking on November 14th

I’ll be speaking about fact-checking at the November 14th meeting of the Northwest Independent Editors Guild in Seattle:

Fact-Checking: Don’t Assume Anything

Whether editing fiction, nonfiction, corporate documents, or magazine articles, some responsibility falls upon the editor to verify the facts. Fact-checking is about ensuring that a piece of writing and its sources are accurate, fair, and credible in order to protect authors and publishers from errors, criticism, fraud, and lawsuits. Lisa Gold, a fact-checker and researcher, will discuss various aspects of fact-checking, offer tips and resources, and explain why you should be skeptical about everything you read.

Speaker Bio: Lisa Gold is a freelance researcher, fact-checker, and writer. She has fact-checked magazine articles, reported features, narrative essays, book reviews, historical novels, nonfiction books, and other types of writing. She’s been a member of the Northwest Independent Editors Guild since 2005. You’ll find Lisa online at and on Twitter at @bylisagold.

The meeting is open to all–you don’t have to be an Editors Guild member to attend–and begins at 6:30pm in the Wallingford neighborhood. Details are on the Editors Guild website (click on the November 14th meeting to see the info and map). If you can’t attend, my talk and Q&A may be recorded and posted on the Editors Guild YouTube page.

If you’re interested in learning more about fact-checking, I recommend two excellent books on the subject, both available in print or ebook:

I’ve added links to some additional resources to my sidebar (with more to come), and here are some of my earlier blog posts on fact-checking.

Update, November 12th:

I went on a tweetstorm today about fact-checking, a summary of which I’ve posted here:

I’ve been thinking a lot about fact-checking this week because of the election and Monday’s Editors Guild meeting. In the meeting description, I wrote that fact-checking is about ensuring that a piece of writing and its sources are accurate, fair, and credible, and protecting writers and publications from errors, criticism, fraud, and lawsuits. But it’s bigger than that.

As writers, editors, or readers, we should care about the facts and loudly call out errors and falsehoods when we see them. So don’t share links without reading and evaluating the content and the source. When you see lies or fake news, call it out, correct it. Critical thinking, information literacy, fact-checking, crap detection, awareness of cognitive biases—these are more important than ever. This kind of work can be hard, lonely, and thankless, and often feels futile, but we should do it anyway, and keep doing it. Though people can choose to ignore or deny facts, eventually everyone has to deal with the consequences.

Update, November 25th: You can watch the video of my talk and download my handout here:

I’ll be teaching a research workshop for Clarion West in May

I’ll be teaching a one-day Clarion West workshop with Louise Marley on Sunday, May 4th from 10am to 4pm in Seattle’s University District:

Fiction R&D: From Research to Ideas to Stories
Research is a creative process that can help writers with inspiration, storytelling, and worldbuilding. Lisa Gold will share practical advice on doing research and finding useful and unusual sources, and she’ll provide an annotated list of resources. Louise Marley will explore generating, refining, and developing ideas into stories. They’ll use a combination of lecture, discussion, brainstorming, and writing exercises.

Check out these other Clarion West one-day workshops:

  • Rachel Swirsky, Telling Old Stories in New Ways, April 6
  • Nicola Griffith, The Magic of Immersive Fiction, April 13

For more information or to register:

Let’s talk about search

So my last post, “Yet another study shows that ‘digital natives’ suck at searching,” seems to have struck a nerve– it’s received over 5000 hits (thanks to links from BoingBoing and Fark, as well as Twitter and Facebook), and I’ve been reading  the wide range of comments that have sprung up in various places (including my blog, BoingBoing, and the original article at Inside Higher Ed).

I think what many people (especially students) don’t understand is that search is both a tool and a process, requiring different skills, knowledge, and experience. You can learn just enough to get by or really master it with a little curiosity, persistence, time, and practice. There are many ways to do this, and you don’t need a formal class– you can teach yourself (as I did).  There are lots of online resources to help you, including tutorials and how-to guides on university and library websites and specific search engine help pages. (And don’t forget about librarians, a seriously underused resource.) There are links to some resources in my posts and my blogroll and I’ll add more soon.

I do believe it’s important for students to be taught (and regularly practice)– at school, in libraries, and at home– the essentials of digital and information literacy and critical thinking, starting at a young age  and continuing throughout their education. These are important life skills which are being sadly neglected.

Yes, it’s a truth universally acknowledged that most students are lazy and want to get quick and “good enough” results. But the problem is that they don’t know what they don’t know. (As the ERIAL researchers noted, “students were just as unaware of the extent of their own information illiteracy as everyone else.”) They have no idea that there’s a world of information out there that you can’t find through a Google search. Most of it has never been digitized and probably never will be (for lack of funding and copyright concerns, among other reasons). Some has been digitized but is locked in proprietary databases and the “invisible web.” Most books and articles published in the US after 1922 are still under copyright, so even if they’ve been digitized chances are they aren’t free (unless you borrow them from a library). Even if information has been indexed in Google, you may never find it if you don’t know how to properly search for it.

Google could certainly improve the situation, but it is a company of engineers trying to make search as easy and simple as possible for the vast majority of users, giving them a single “magic box” into which they can type anything and get results, even if they’ve spelled the keywords wrong or don’t really know what they are looking for. Some of the “improvements” they’ve made over time have made it frustrating for advanced users like me, such as ignoring the terms I’ve actually typed and substituting what they assume I’m looking for, or filtering my results based on my past search history. And if you want more advanced search options, Google doesn’t make it easy to find or learn about them, and their help articles often aren’t helpful at all. Search is not just an engineering problem to be solved– it is both an art and a science, and there is no one-size-fits-all solution. But no matter how good or flawed a tool like Google search is, anyone can learn how to use it well and get far better results.

A number of people have asked for some advice and tips on search, so here you go.

General advice:

  • When using any search engine, database, or website with search functions, take a few moments to read the instructions or help pages to figure out how to use the site to its full advantage.
  • Search engines are constantly evolving, so you should periodically review the instructions to see if you need to make changes in the way you search.
  • Every search engine is different, so what works for one won’t necessarily work for all, and each may produce different results using the same search terms.
  • If there is an “advanced search” option, you should always use it, as it will give you much more control over your searching and the results.
  • Refine your search. Experiment with different keywords and combinations of keywords. Look for clues to other possible keywords, such as related terms, alternate names, and subject-specific terminology. If you don’t get the results you are looking for, keep trying different things.
  • Remember to look beyond just the first few search results.

Some Google-specific tips:

  • Google’s search tips and help articles can be hard to find, but they do have useful information. Here are direct links:
  • Use Google’s advanced search function, which allows you to limit your search  in many different ways and combinations (all these words, this exact wording or phrase, one or more of these words, don’t show pages that have any of these unwanted words, language, file type, search within a site or domain, etc.). There is no longer a link to it on the main search page– it’s now hidden behind the gear icon (search settings) in the upper right corner. Here’s the direct link:
  • If you’d rather use Google’s main search box instead of the advanced search, the help articles I linked to above have command shortcuts you can use, such as placing quotation marks around exact phrases. Note that Google no longer uses all Boolean operators. (You don’t need AND as it is the default in all searches. You can still use OR. Don’t use NOT, instead place a minus sign (-) directly before any words or terms you want to exclude.)
  • Google has many specialized search functions for images, news, blogs, scholarly papers, books, patents, etc.  Look in the upper left-hand corner, click “more,” then click “even more” for a full list. Here’s the direct link to the list:
  • All the words you put in the query will be used and the order you put them in matters.
  • Search is case insensitive, punctuation is usually ignored, and common words (the, a) are usually ignored.
  • Google automatically searches for common variations of a keyword.

A final note: Improving your search skills is important, but it’s even more important that you think critically and evaluate your search results and sources.  (See some of my previous posts for more about this.)

How cutting and pasting can lead to plagiarism

In today’s New York Times, Public Editor Clark Hoyt’s column, titled “Journalistic Shoplifting,” is about the recent plagiarism scandal surrounding Times business reporter Zachery Kouwe.

I wanted to point out this particular passage, in which Hoyt notes that both Zachery Kouwe and Gerald Posner claim that their plagiarism was unintentional, caused by cutting and pasting material from other sources and mixing it up with their own writing:

Kouwe told [John Koblin of the New York Observer] that the plagiarism happened with minor news reported elsewhere that needed to be matched on DealBook. He said he would copy stories from wires, paste them into a file in the editing system, verify the information and then put the material in his own words. At least, he said, that is what he intended to do. When I asked him how he could fail to notice that he was copying someone else’s work, he added further explanation: He said the raw material in the computer files in which he assembled his stories included not only reports from other sources but also context and background from previous articles that he had written himself. When putting it all together, he said, he must have thought the words he copied were his own, earlier ones. “It was just my carelessness in trying to get it up quickly,” he said.

The explanation was similar to one offered only days earlier by Gerald Posner, a reporter for The Daily Beast, who was caught by Jack Shafer of Slate cribbing sentences from The Miami Herald. Posner, who resigned after even more plagiarism was found, also said that he did not do it intentionally. He said he had poured all his research — interviews, public documents, published articles — into a master electronic file and then boiled it into an article under tight Web deadlines, a process that led to disaster.

We’ve seen before how cutting and pasting material written by others can lead to plagiarism, as in the Chris Anderson Free/Wikipedia scandal.

Writers can protect themselves from this kind of  “unintentional plagiarism” by incorporating some simple and practical tips into their research and writing process. In a July 2009 blog post on avoiding plagiarism, I recommended Harvard University’s excellent PDF publication Writing with Internet Sources. The chapter on “Incorporating Electronic Sources into Your Writing” contains a section called “Strategies for Avoiding Internet Plagiarism” (pages 42-44), with important advice for writers:

Internet plagiarism most often occurs when writers cut and paste from the Internet or paraphrase carelessly… The following tips will help you research and write with honesty and integrity.

  • Plan ahead
    … Budget enough time to search for sources, take notes on them, and think about how to use them… Moments of carelessness are more common when you leave your [writing] until the last minute and are tired or stressed. Honest mistakes can lead to charges of plagiarism just as dishonesty can; be careful when note-taking and in the incorporation of ideas and language from electronic sources so you don’t “borrow”—i.e., unintentionally plagiarize—the work of another writer.
  • Print your sources
    Print the relevant pages from any websites you use, making sure that you note the complete URL….
  • File and label your sources
    Never cut and paste information from an electronic source straight into your own [writing]. Instead, open a separate document on your computer for each electronic source so you can file research information. When you cut and paste into that document, make sure to include the full URL….
  • Keep your own writing and your sources separate
    Work with either the printed copy of your source(s) or the copy you pasted into a separate document—not the online version—as you [write]….
  • Keep your notes and your draft separate
    Be careful to keep your research notes separate from your actual draft; this will ensure you don’t cut language from a source and paste it directly into your draft without proper attribution. You can open your notes and your draft next to each other on your computer screen and work back and forth.
  • Acknowledge your sources explicitly when paraphrasing
    In your research notes, use some form of notation to indicate what you’ve paraphrased (e.g., put brace brackets around the paraphrase), and mention the author’s name within the material you paraphrase. Once you start writing and revising, make sure you avoid gradually rewording the paraphrased material until you lose sight of the fact that it is still a paraphrase of someone else’s ideas….
  • Quote your sources properly
    Always use quotation marks for directly quoted material, even for short phrases and key terms….
  • Keep a source trail
    As you write and revise…, keep a source trail of notes and of each successive draft…. You ought to be able to reconstruct the path you took from your sources, to your notes, to your drafts, to your revision….

I also recommend that you read Craig Silverman’s recent column for the Columbia Journalism Review, “The Counter-Plagiarism Handbook: Tips for writers and editors on how to avoid or detect journalistic plagiarism.” Here are two of his useful tips for writers:

  • Use a different font and text color for your research files. This will help you instantly recognize other people’s words when you paste them into your story.
  • Add in the proper attribution as soon as you paste any research into your draft.

“The historian serves the truth of his subject. The novelist serves the truth of his tale.”

Nicola Griffith blogged yesterday about the historical novel she’s writing and different approaches to writing historical fiction:

There’s the hey, anything goes, just use the period as window dressing around a fab story camp, and there’s the never, ever, don’t evereverever, contravene what is known to be known people. (There’s an article in MACLEANS.CA that lays this out by illustrating the difference between the attitudes of Hilary Mantel and Kate Pullinger.)

Here’s an even more interesting piece from Magistra et Mater: an historian explains why she no longer reads historical fiction.

Me? Well, I love getting things right. I’ve done a lot of research on Hild and her time (some casual, some deep and complex). But I’m a novelist; I also occasionally can’t resist just fucking with things. Sometimes, though, it seems I fuck with things in just the right way–and those are fabulous moments when I know I’m really beginning to get a feel for the period. (At least in some senses.)

This seemed like a good opportunity to mention some related issues I’ve talked about in my classes on creative research for writers:

  • The research process is completely different for each writer and project. Some authors do the minimum necessary and fake the rest, others completely immerse themselves or become experts on their subject or period. There isn’t a right or wrong way–you have to figure out what works for you.
  • Think carefully about what you really need to know, why you need to know it, and what you can just make up. What degree of accuracy and authenticity are you trying to achieve? What can or should you fictionalize?
  • Decide what game you’re playing. Make conscious choices about straying from history or reality when it serves your story and your characters, but understand that some readers and critics will be unhappy about it.

John Scalzi touched on this in his recent blog post about science fiction worldbuilding. For him it’s about plausibility, keeping “the audience engaged all the way through the work without once saying, ‘now, wait just a minute…'”:

Other worldbuilders will have to answer this one when talking about their own works, but as for me, in general, I try to build my worlds at least two questions deep — that is, you make your creations robust enough to stand up to a general question and then a more specific followup question….

And for about 90% of your readers, that’s going to be sufficient rationale. For about 10% of your readers, it won’t be, but at some point, and simply as a practical matter, you realize that some folks aren’t going to be happy with your worldbuilding no matter how far you drill down, and that you can just sort of accept that as the cost of doing business in a geek-rich field like science fiction. To a very real extent, what you’re aiming for is sufficiency, not completeness.

Here are a few other links about writing historical fiction:

An interesting August 2009 BBC radio broadcast in which “Mark Lawson examines the differences between factual and fictional writers of history and between academics and populists in the telling of stories from our heritage. Writers Antonia Fraser, Margaret MacMillan, Philippa Gregory, Hilary Mantel, Sarah Dunant and Tristram Hunt join Mark to discuss the best ways of exploring the past.”

Susan Vreeland’s thoughts on writing historical fiction.

A 1998 essay by Anne Scott MacLeod, “Writing Backward: Modern Models in Historical Fiction,” about revisionism in historical novels for children:

But people of the past were not just us in odd clothing. They were people who saw the world differently; approached human relationships differently; people for whom night and day, heat and cold, seasons and work and play had meanings lost to an industrialized world. Even if human nature is much the same over time, human experience, perhaps especially everyday experience, is not. To wash these differences out of historical fictions is not only a denial of historical truth, but a failure of imagination and understanding that is as important to the present as to the past.

And on a lighter note, there’s History-Spork, a very funny blog in which historians review Hollywood movies.

By the way, the title of this post comes from a quotation attributed to historical novelist William Martin:

The historian serves the truth of his subject. The novelist serves the truth of his tale. As a novelist, I have tools no historian should touch: I can manipulate time and space, extrapolate from the written record to invent dialogue and incident, create fictional characters to bring you close to the historical figures, and fall back on my imagination when the research runs out.

Does anyone happen to know the original source of this quotation?

Update, 11/13: I emailed William Martin directly to ask about this quote, and he says it is indeed his, and it appears in the February 2000 issue of The Writer magazine. Thanks to the Seattle Public Library’s electronic databases, I was able to find his essay, which is titled “First-Person Narrators in Historical Fiction.”