Apologies for my long blog silence, but it has been a crazy, busy year.
I am still on Twitter daily, and I often tweet links to information and reference sources as well as articles on a wide range of subjects, so follow me @bylisagold if you are interested.
I did write two posts last month for the Bauman Rare Books blog, on Ayn Rand’s Atlas Shrugged and on Rare Books as Gifts. You’ll find links to all of my BRB blog posts in the sidebar to the right.
I do have some exciting news about my husband, Matt Ruff. His new book will be published in February 2016– Lovecraft Country, a historical novel that explores the real-life terrors of Jim Crow racism through the prism of Lovecraftian horror and fantasy. Matt’s website has a description of the novel, blurbs from Christopher Moore, Cory Doctorow, Neal Stephenson, and John Crowley, and advance reviews. He also posted a list of his readings/signings/appearances for the book, with more to come as they are scheduled.
And finally, as you likely guessed from the title of this post, I have fallen hard for Lin-Manual Miranda’s Hamilton musical. I haven’t seen the show (*sob*), but I’m completely obsessed with the extraordinary Broadway cast album. Excuse me while I go listen to it again…
- Matt Ruff‘s latest novel, The Mirage, will be published in trade paperback on February 12, 2013. (The hardcover and ebook editions were published in February 2012.) Matt will be doing some readings/signings in Seattle and Portland over the next few weeks.
- Queen Anne Books, the beloved independent bookstore that closed on Halloween, will soon be reincarnated in the same location as the Queen Anne Book Company. The new store, with new owner/managers and some of the booksellers from the old store, will hold its grand opening on March 1st. You can follow the Queen Anne Book Company on Twitter @queenannebookco or on Facebook.
- March 1st is the deadline to apply to the Clarion and Clarion West writers workshops for science fiction and fantasy. The instructors this year include Neil Gaiman, Cory Doctorow, Elizabeth Hand, Kelly Link, Samuel R. Delany, Joe Hill, Nalo Hopkinson, and Karen Joy Fowler (see my previous blog post for the complete list and more information). Clarion West has just announced that Margo Lanagan will be teaching instead of Justina Robson.
- Clarion West is offering a series of special one-day workshops in Seattle from February to May, taught by Molly Gloss, John Crowley, Mary Rosenblum, and Daryl Gregory. Each workshop is limited to only 14 students, so don’t wait to sign up.
UPDATE, 2/26/13: For more information about the Queen Anne Book Company’s grand-opening weekend (March 1st to 3rd) and their “Authors in the House” events, see this article from the Queen Anne View blog.
Today is publication day for The Mirage, Matt Ruff’s new novel, which is available as a gorgeous hardcover and as an ebook.
You can read a PDF excerpt on The Mirage page of Matt’s website.
The book is on the February Indie Next list, and Matt has been posting the early reviews on his blog. This morning Cory Doctorow posted his review on BoingBoing:
I’m a huge fan of Matt Ruff’s novels, so when friends in the know started to spontaneously tell me about how fantastic the advance manuscript they’d just read for his next novel, The Mirage, was, I just assumed, yeah, it’d be more great Matt Ruff.
But this isn’t just more Matt Ruff. This is Matt Ruff with the awesome turned up to 11. To 12. To 100….
This is one of those books that you read while walking down the street and long after your bedtime, a book you stop strangers to tell about.
You can read his full review here. (Thanks, Cory!)
Over the next few weeks, Matt will be doing readings/signings at independent bookstores all over the Seattle area, as well as in San Francisco, Bellingham, Portland (Oregon), and Vancouver (Canada). The first event is Thursday, February 9th, at Elliott Bay Book Company, where Matt will be in conversation with Paul Constant, The Stranger’s book editor. If you’d like a signed book but can’t attend a reading, you can order a signed copy from one of the bookstores he’ll be visiting, as most will ship books upon request.
Matt’s novel, The Mirage, will be published in early February with this new cover design:
The ARCs (advance review copies) were printed with the original green and pink design, which I suppose will make them more collectible.
My print copy of the new 16th edition of the Chicago Manual of Style just arrived from Amazon.com, though the official publication date is not until the end of August.
Here’s an interesting change: the 16th edition of the CMOS, like the new edition of the AP Stylebook, now embraces “website” (instead of the more formal “Web site”) as well as “the web” and “web page” (see 7.76 and 7.85). For more on “Web site” vs. “website,” see my earlier post on the subject.
For a list of some of the other changes in the 16th edition, see The Subversive Copy Editor’s “16th edition Sneak Peeks and Retired Rules.”
If you prefer your reference works in digital form, see The Chicago Manual of Style Online for online subscription options.
By the way, in the package with the CMOS was another new style manual, The Yahoo! Style Guide: The Ultimate Sourcebook for Writing, Editing, and Creating Content for the Digital World. When I have more time, it will be interesting to explore and compare the two works.
Thanks to this CopyEditing post, I just learned that Carol Saller, the editor of the Chicago Manual of Style’s Online Q&A and the author of the book The Subversive Copy Editor, has a new blog, the appropriately titled The Subversive Copy Editor Blog. Last year I wrote about Saller’s CMS Q&A and recommended her book in my post “I think someone needs a vacation….”
In related news, the new and revised 16th edition of the Chicago Manual of Style will be published in August 2010. Here’s an excerpt from the description, with information on what’s new in this edition:
While digital technologies have revolutionized the publishing world in the twenty-first century, one thing still remains true: The Chicago Manual of Style is the authoritative, trusted source that writers, editors, and publishers turn to for guidance on style and process. For the sixteenth edition, every aspect of coverage has been reconsidered to reflect how publishing professionals work today. Though processes may change, the Manual continues to offer the clear, well-considered style and usage advice it has for more than a century.
The sixteenth edition offers expanded information on producing electronic publications, including web-based content and e-books. An updated appendix on production and digital technology demystifies the process of electronic workflow and offers a primer on the use of XML markup, and a revised glossary includes a host of terms associated with electronic as well as print publishing. The Chicago system of documentation has been streamlined and adapted for a variety of online and digital sources….
The hardcover book will be priced at $65, but you can pre-order it from Amazon for $41. There’s also an online version, The Chicago Manual of Style Online, which you can subscribe to for $35 per year (or $60 for two years). Subscribers will automatically receive the new content.
For more about the Chicago Manual of Style, see my post “The writer’s bookshelf (part 3).” You can also follow the Chicago Manual of Style on Twitter.
Today the Library of Congress announced the launch of their new and improved Prints and Photographs Online Catalogue (PPOC), making it easier to browse, search, and share LOC’s 1.25 million digital images, including historic photographs, prints and drawings, posters, cartoons, baseball cards, and architectural drawings. Many of the digital images can be downloaded at no charge in different formats (jpegs and tiffs) and resolutions, and the new share/save tool allows you to save images, searches, or collections and post links to them on social networking sites.
The Prints and Photographs Online Catalogue can be found at http://www.loc.gov/pictures and a descriptive list of the digital collections is here. Go browse!
“Books are Weapons in the War of Ideas”: 1942 WWII poster from the U.S. Government Printing Office.
I’ve written before about bookstores using the Espresso Book Machine to print books on demand. Thanks to Resource Shelf, I just learned that the Grace Mellman Library in Temecula, California has purchased an Espresso Book Machine with grant money as part of a program to study “the usefulness of on-demand printing to enhance library collections”:
Library patrons will now have the option to request titles, have the book printed for free, read it and return it to the library collection, or they may choose to keep the book and pay a printing fee. If the requesting patron is at the Book Espresso location and wants to pay for the book, it can be printed immediately while they wait.
“Growing our collections based upon patron on-demand choices is a new concept for our library system,” said Jan Kuebel, Manager of Grace Mellman Library. “Rather than relying solely on interlibrary loan, we now have a way to immediately respond to patron requests for materials outside of our current collection.”
Available book titles will be obtained from Lightning Source, with over 500,000 titles available, and Google Books, who has partnered with over 20,000 publishers to make their content available for on-demand printing….
I think this is great, and I only wish more libraries (and independent bookstores) could afford EBMs, as they provide instant access at a reasonable cost to a wide range of material not currently on their shelves.
I still haven’t tried out the EBMs in Seattle at the University Bookstore or Third Place Books, but I will report back when I do.
The Google Book Settlement fairness hearing was held yesterday (February 18th). Here are some recaps of what happened:
Now it’s up to Judge Denny Chin to decide the fate of the Google Book Settlement.
For background on the GBS controversy, see my previous posts on the subject, which contain lots of links and other information.
That’s enough blogging for today– spring has come very early to Seattle, so I’m going outside to play in the sunshine.
Update, 2/20/10: Today James Grimmelmann posted his long, detailed, and very interesting first-person report on the fairness hearing, in which he summarizes the arguments of each speaker and the questions Judge Chin asked in response. Grimmelmann notes, “Yesterday’s fairness hearing was fascinating. Very little happened to substantively change where the case is going, but as a snapshot of the players and their positions, it was very revealing.”