Category Archives: Wikipedia

Productive frustration, lost libraries, and required reading for aspiring writers

As I read  Ben Greenman’s “Lives” essay in today’s New York Times Magazine, this caught my eye:

By supplying answers to questions with such ruthless efficiency, the Internet cuts off the supply of an even more valuable commodity: productive frustration. Education, at least as I remember it, isn’t only, or even primarily, about creating children who are proficient with information. It’s about filling them with questions that ripen, via deferral, into genuine interests.

I like the term “productive frustration” because it is an apt description of part of the research process. Finding quick answers to simple questions is easy, but it shuts down the process. When you wrestle with more complex questions, try to figure out what you need to know and the different ways you might look for it, or can’t find what you’re searching for, it’s an opportunity to think more creatively, explore new paths, feed your curiosity, and make unexpected discoveries. As the Gaga librarians sang, “when it comes to search if it’s not tough it isn’t fun…”

Here are links to some other excellent pieces I read this week:

Craig Fehran’s “Lost Libraries: The strange afterlife of authors’ book collections” describes what happened to the personal libraries of David Foster Wallace, David Markson, John Updike, Mark Twain, and other authors after their deaths:

Most people might imagine that authors’ libraries matter–that scholars and readers should care what books authors read, what they thought about them, what they scribbled in the margins. But far more libraries get dispersed than saved. In fact, David Markson can now take his place in a long and distinguished line of writers whose personal libraries were quickly, casually broken down….

The issues at stake when libraries vanish are bigger than any one author and his books. An author’s library offers unique access to a mind at work, and their treatment provides a look at what exactly the literary world decides to value in an author’s life….

Charles Stross’ post “Why Wikipedia is the writer’s friend” explains why fiction writers should do at least enough research to avoid errors and prevent the collapse of suspension of disbelief. Though I certainly don’t recommend using Wikipedia as your source for research and fact-checking, I strongly agree with his larger point: 

Always do, at a minimum, a brief fact-check on everything you write in a work of fiction with a non-fantastical/far future setting. Otherwise you will be sorry….

Fiction relies upon the reader’s willing suspension of disbelief — if you’re immersed in a novel, it helps not to be jerked up short every ten seconds by the realization that the setup is nonsensical….

John Scalzi’s “Writing: Find the Time or Don’t.” This post should be required reading for all aspiring writers:

So: Do you want to write or don’t you? If your answer is “yes, but,” then here’s a small editing tip: what you’re doing is using six letters and two words to say “no.” And that’s fine. Just don’t kid yourself as to what “yes, but” means.

If your answer is “yes,” then the question is simply when and how you find the time to do it. If you spend your free time after work watching TV, turn off the TV and write. If you prefer to spend time with your family when you get home, write a bit after the kids are in bed and before you turn in yourself. If your work makes you too tired to think straight when you get home, wake up early and write a little in the morning before you head off….

And if you can’t manage that, then what you’re saying is that you were lying when you said your answer is “yes.” Because if you really wanted to write, you would find a way to make the time, and you would find a way to actually write….

But if you want to be a writer, than be a writer, for god’s sake…. Find the time or make the time. Sit down, shut up and put your words together. Work at it and keep working at it. And if you need inspiration, think of yourself on your deathbed saying “well, at least I watched a lot of TV.” If saying such a thing as your life ebbs away fills you with existential horror, well, then. I think you know what to do.

Journalism warning labels and “unsucking” business jargon

Here are two great things featured today on BoingBoing.

Tom Scott’s journalism warning labels, complete with a PDF template so you can print your own set. I particularly like this one:

Unsuck It, a website created by Mule Design that translates business jargon into English. You can search by clicking the “unsuck it” button, but I suggest browsing through the long list of terms. Here are a few examples:

At [company X], we take [Y] seriously.
Unsucked:  We don’t care, but our lawyers do.

Content Creation
Unsucked:  Writing.

Consume Content
Unsucked: Read, watch, or listen.

Creative (n.), Creatives
Unsucked: Professional designer, illustrator, composer, filmmaker, or writer. Not your magic pixel-monkey.

Unsucked: Edit or choose.

We need to ideate on how to use social media to promote our brand.
Unsucked: Think.

Unsucked: Affect.

Make It Pop
This looks great, but if you can make it pop a bit more, we’ll be done here.
Unsucked: Add cliche elements to a site’s visual design (e.g., ribbon, drop-shadow, bevel).

Move Heaven and Earth
AT&T “will move heaven and Earth” to meet its customers’ growing data needs, AT&T Chief Technology Officer John Donovan said.
Unsucked: Try.

Interview about my “Creative Research for Writers” class

Kate Lebo’s interview with me about my May 16th “Creative Research for Writers” class has been posted on the Richard Hugo House blog. Here’s a preview:

Kate Lebo: When I think “research,” I think “Google” or (anachronistically) “card catalog.” Is that what you mean by creative research for writers? Or will your class teach students how to go beyond the card catalog?

Lisa Gold: What I call “creative research” is figuring out what you need to know, why you need to know it, where to find it and how to use it in your writing. It’s also about seeking out a variety of sources to gain knowledge and understand context instead of just searching for discrete facts. The number of soldiers killed in the Battle of Gettysburg is a fact, but understanding what it was like to be a Confederate soldier fighting in that battle is knowledge. That is what you need to write about it in a believable way, bring the events and characters to life and transport your reader to that time and place.

If you only use Google and Wikipedia for your research, you’ll not only have to dig through mountains of junk, you’ll never find all the really great stuff that’s hidden beneath the surface or may not be on the Web at all. I’ll be talking in detail about a wide range of sources and where to find them, as well as how to evaluate sources so you can figure out what’s credible, accurate and useful and take into account their strengths and weaknesses. Though my focus will be on different types of digital and print sources, we’ll also explore other valuable but underused sources—like people, for example….

You can read the entire interview here.

You can still register for the class, which will be held on Sunday, May 16th from 10am to 5pm. See my previous post for details, or follow the link within the interview to register.

Update, 2/19/2014: Hugo House has redesigned their website, so the original page I linked to is gone. I’ve replaced the link with an archived version of the page from the Internet Archive’s Wayback Machine. I’ve also copied the full text of the interview below.

May 12, 2010 Hugo House interview with Lisa Gold

Kate Lebo: When I think “research,” I think “Google” or (anachronistically) “card catalog.” Is that what you mean by creative research for writers? Or will your class teach students how to go beyond the card catalog?

Lisa Gold: What I call “creative research” is figuring out what you need to know, why you need to know it, where to find it and how to use it in your writing. It’s also about seeking out a variety of sources to gain knowledge and understand context instead of just searching for discrete facts. The number of soldiers killed in the Battle of Gettysburg is a fact, but understanding what it was like to be a Confederate soldier fighting in that battle is knowledge. That is what you need to write about it in a believable way, bring the events and characters to life and transport your reader to that time and place.

If you only use Google and Wikipedia for your research, you’ll not only have to dig through mountains of junk, you’ll never find all the really great stuff that’s hidden beneath the surface or may not be on the Web at all. I’ll be talking in detail about a wide range of sources and where to find them, as well as how to evaluate sources so you can figure out what’s credible, accurate and useful and take into account their strengths and weaknesses. Though my focus will be on different types of digital and print sources, we’ll also explore other valuable but underused sources—like people, for example. I’ve also put together an annotated list of selected references and resources to help students with their own research.

KL: How does research lead to better writing?

LG: Creative research can help writers with inspiration, world-building, storytelling and character development. It doesn’t matter whether you are writing about real people or fictional characters, or about living in the past, present, future or an imaginary world—the more you know (or decide) about their day-to-day lives, their worldview and their world, the more real and understandable they will be to you and your readers. John Crowley wrote that these “small details of common life… give actuality, aliveness and thickness” to a story. The point of doing research is to help you tell a great story and breathe life into your characters, not to show off all the cool stuff you’ve found. Kelley Eskridge told me that she tries to “learn enough in research to create a culture in the story that feels real to people who know it, and is accessible to people who don’t… Every ‘research detail’ that makes it into the final story needs to serve a dual purpose—to establish/ground the world of the story and to either serve as an emotional backdrop or reveal an aspect of character.”

KL: What’s the most common hurdle people encounter when doing research for their writing? What’s the best/easiest way to overcome it?

LG: I think the most common mistakes people make are using research as an excuse not to write and not knowing when to stop. You shouldn’t wait until you finish your research to begin writing, and you don’t need to know everything about a subject in order to write about it. Writing and research are interconnected, and each should fuel the other. Don’t let anything stop the writing—if you are missing details, mark the spot with a quick note of what you need, keep writing and fill in the blanks later. Knowing when to stop researching is harder, but you should think carefully and make conscious decisions about what you actually need to know and what you can just make up.

KL: What’s the most creative method you’ve used to find information?

LG: I’m a strong believer in browsing and serendipity, which can lead to amazing discoveries. I spend a lot of time browsing bookstores and the Web, and I like to feed my curiosity and see where it leads. Whenever I’m looking for something in a bookstore or library, I always browse the surrounding books and nearby shelves. I can’t tell you the number of times I’ve found books much better than the one I was looking for or spotted something that I didn’t need at the time but later proved indispensable. Sometimes you don’t really know what you need until you stumble across it. Talking to people is another great way to uncover information—chances are you know someone or have a family member with unusual interests or expertise or who has done extraordinary things or lived through important historical events or periods.

KL: What kind of research do you do?

LG: I do whatever kind of research my clients need. Because I work with writers of fiction and nonfiction, I’ve researched a really wide range of subjects—life in Victorian London, the rich and their servants in 1930s New York City, cultural and historical trends throughout 20th-century America, American Revolutionary pamphlets and broadsides, as well as an odd miscellany of subjects for my husband (Matt Ruff), to name a few. I like working on unusual creative projects, such as when I encrypted messages into John Wilkins’ 17th-century “Real Character” symbolic language for the promotional campaign for Neal Stephenson’s historical novel “Quicksilver.” My own research is also eclectic, as I have a lot of interests and like to learn stuff, and some of it ends up in my blog.

How cutting and pasting can lead to plagiarism

In today’s New York Times, Public Editor Clark Hoyt’s column, titled “Journalistic Shoplifting,” is about the recent plagiarism scandal surrounding Times business reporter Zachery Kouwe.

I wanted to point out this particular passage, in which Hoyt notes that both Zachery Kouwe and Gerald Posner claim that their plagiarism was unintentional, caused by cutting and pasting material from other sources and mixing it up with their own writing:

Kouwe told [John Koblin of the New York Observer] that the plagiarism happened with minor news reported elsewhere that needed to be matched on DealBook. He said he would copy stories from wires, paste them into a file in the editing system, verify the information and then put the material in his own words. At least, he said, that is what he intended to do. When I asked him how he could fail to notice that he was copying someone else’s work, he added further explanation: He said the raw material in the computer files in which he assembled his stories included not only reports from other sources but also context and background from previous articles that he had written himself. When putting it all together, he said, he must have thought the words he copied were his own, earlier ones. “It was just my carelessness in trying to get it up quickly,” he said.

The explanation was similar to one offered only days earlier by Gerald Posner, a reporter for The Daily Beast, who was caught by Jack Shafer of Slate cribbing sentences from The Miami Herald. Posner, who resigned after even more plagiarism was found, also said that he did not do it intentionally. He said he had poured all his research — interviews, public documents, published articles — into a master electronic file and then boiled it into an article under tight Web deadlines, a process that led to disaster.

We’ve seen before how cutting and pasting material written by others can lead to plagiarism, as in the Chris Anderson Free/Wikipedia scandal.

Writers can protect themselves from this kind of  “unintentional plagiarism” by incorporating some simple and practical tips into their research and writing process. In a July 2009 blog post on avoiding plagiarism, I recommended Harvard University’s excellent PDF publication Writing with Internet Sources. The chapter on “Incorporating Electronic Sources into Your Writing” contains a section called “Strategies for Avoiding Internet Plagiarism” (pages 42-44), with important advice for writers:

Internet plagiarism most often occurs when writers cut and paste from the Internet or paraphrase carelessly… The following tips will help you research and write with honesty and integrity.

  • Plan ahead
    … Budget enough time to search for sources, take notes on them, and think about how to use them… Moments of carelessness are more common when you leave your [writing] until the last minute and are tired or stressed. Honest mistakes can lead to charges of plagiarism just as dishonesty can; be careful when note-taking and in the incorporation of ideas and language from electronic sources so you don’t “borrow”—i.e., unintentionally plagiarize—the work of another writer.
  • Print your sources
    Print the relevant pages from any websites you use, making sure that you note the complete URL….
  • File and label your sources
    Never cut and paste information from an electronic source straight into your own [writing]. Instead, open a separate document on your computer for each electronic source so you can file research information. When you cut and paste into that document, make sure to include the full URL….
  • Keep your own writing and your sources separate
    Work with either the printed copy of your source(s) or the copy you pasted into a separate document—not the online version—as you [write]….
  • Keep your notes and your draft separate
    Be careful to keep your research notes separate from your actual draft; this will ensure you don’t cut language from a source and paste it directly into your draft without proper attribution. You can open your notes and your draft next to each other on your computer screen and work back and forth.
  • Acknowledge your sources explicitly when paraphrasing
    In your research notes, use some form of notation to indicate what you’ve paraphrased (e.g., put brace brackets around the paraphrase), and mention the author’s name within the material you paraphrase. Once you start writing and revising, make sure you avoid gradually rewording the paraphrased material until you lose sight of the fact that it is still a paraphrase of someone else’s ideas….
  • Quote your sources properly
    Always use quotation marks for directly quoted material, even for short phrases and key terms….
  • Keep a source trail
    As you write and revise…, keep a source trail of notes and of each successive draft…. You ought to be able to reconstruct the path you took from your sources, to your notes, to your drafts, to your revision….

I also recommend that you read Craig Silverman’s recent column for the Columbia Journalism Review, “The Counter-Plagiarism Handbook: Tips for writers and editors on how to avoid or detect journalistic plagiarism.” Here are two of his useful tips for writers:

  • Use a different font and text color for your research files. This will help you instantly recognize other people’s words when you paste them into your story.
  • Add in the proper attribution as soon as you paste any research into your draft.

More from Project Information Literacy: “the librarian approach is based on thoroughness, while the student approach is based on efficiency”

Back in April, I wrote a long post titled “I’m shocked to discover there’s gambling in this casino…” about Project Information Literacy’s February 2009 report, “Finding Context: What Today’s College Students Say About Conducting Research in the Digital Age.” In my post I was somewhat snarky about the report, as you can see from this excerpt:

Surely it isn’t a surprise that:

* Students always procrastinate and are looking for quick and easy answers.

* Students spend an unlimited amount of time and effort on things that interest them, but do the minimum necessary on academic assignments.

* Students universally use the two tools that are the most convenient, familiar, and useful to them– Wikipedia and Google– and they will continue to do so regardless of what their professors say.

* Students don’t know or haven’t been taught how to do research, think critically, find and evaluate sources (online and in the library), and efficiently sift through the overwhelming amount of available information to find what they need.

This month Project Information Literacy released a new and more in-depth report, “Lessons Learned: How College Students Seek Information in the Digital Age”, and it offers some valuable insights and recommendations. Among the report’s conclusions:

When it came to everyday life research, nearly all of the respondents used Google, Wikipedia, and friends for finding context. Almost all of the students used course readings, [online] library resources, and public Internet sites such as Google and Wikipedia, when conducting course-related research—no matter… what resources they had at their disposal.

The relatively consistent pattern of information usage suggests that most students in our study favored a risk-averse and predictable information-seeking strategy. The student approach appears to be learned by rote and reliant on using a small set of resources nearly each and every time.

At the same time, the student approach may sometimes backfire. Using public sites on the Internet, such as Google search, early on, may be one reason why students reportedly find research frustrating in the digital age.

We have found studentsʼ frustrations and challenges involve narrowing down topics, finding relevant resources, sorting through too many results from online searches, and evaluating the credibility of what students choose to use. Still, almost all students used public Internet sites early on, despite their known limitations….

A significant majority of students in our sample–8 in 10–did not ever consult librarians for course-related research assignments. Instead, instructors played an important role in coaching students through the research process…

When it comes to finding information and conducting research, today’s students clearly favor brevity, consensus, and currency in the information sources they seek… [They] have defined their preferences for information sources in a world where credibility, veracity, and intellectual authority are less of a given–or even an expectation from students–with each passing day.

All in all, we are reminded of a comment from one student… about using books from the campus library: “Books, do I use them? Not really, they are antiquated interfaces. You have to look in an index, way in the back, and it’s not even hypertexted linked.”

Today’s students are not lazy or unthinking. This student, representing many, looks at information sources, systems, and services as to how well they meet his or her needs in terms of content, accessibility, and usefulness….

So students prefer to use web sources like Google and Wikipedia because they are fast, convenient, familiar, and produce results, meeting their needs for “content, accessibility, and usefulness.” Of all of the library resources provided to students, online scholarly research databases are used the most, as not only do instructors require their use to find credible content, but they are easy to search. Students aren’t using resources like books, even when they are better and more authoritative for academic research, because they take more time, thought, and effort to find and use, and they can’t be quickly and easily searched. This makes sense– today’s college students are digital natives.

I didn’t understand why so few students use librarians as a resource until I read about the “critical difference between the students’ approach and the librarians’ approach” to research:

“The library guide recommends beginning course-related research by using library resources to identify and narrow down a topic. These resources, the library catalog and periodical indices, are all vetted, credible, and authoritative. Only much later in the research process, and only after a topic has been safely nailed down, does the guide recommends turning to Internet resources, such as Google… The student approach is different… [They] reported using public Internet sources (i.e. Google and Wikipedia) in their initial stages of research for a variety of reasons, which included a belief that the Internet is an all-inclusive information resource… All in all, the librarian approach is based on thoroughness, while the student approach is based on efficiency. To that end, librarians suggest using scholarly resources, while many students in our study used a wide range of resources that deliver an abundance of results early on, whether they are scholarly or not. As a whole, the findings suggest that students in our sample favored sources for their brevity, consensus, and currency over other qualities and less so, for their scholarly authority.

At the end of the report, the authors make a series of recommendations, of which I thought these were particularly important:

Course-related research assignments should not indirectly encourage students to half-heartedly engage in a narrow exploration of the digital landscape (e.g., assignments that state requirements such as, “must use five sources cited in your paper”). Administrators, faculty, and librarians should examine whether research-based assignments result in opening studentsʼ minds to expand their information-gathering competencies. Instead, we recommend that students be given course-related research assignments that encourage the collection, analysis, and synthesis of multiple viewpoints from a variety of sources, so the transfer of information literacy and critical thinking competencies may be more actively called up, practiced, and learned by students…

Our work leads us to draw an important distinction between library services and library resources… For the most part, in our study, librarians were left out of the student research workflow, despite librariansʼ vast training and expertise in finding information. Librarians should systematically (not just anecdotally) examine the services they provide to students… Questions should be addressed about how and why services and resources are used—not only how often (e.g., circulation or reference desk statistics). Librarians may want to initiate their analysis by asking what percentage of their campus are using the library, for what particular resources or services, and why or why not?

So what do you think? How can we expand the minds and research methods of digital natives? We can’t convert all information to digital form, so are there ways to pry them away from their computers and into the stacks? Should we even try? Rather than trying to change the ways they do research, should we instead focus on teaching them to improve their web search skills and find and evaluate digital sources? Can we provide better or more authoritative alternatives to Wikipedia and Google, or make it easier to find academic sources with one search? How can we make academic research more interesting and creative for students?

I welcome your comments and ideas.

“When I look at books, I see an outdated technology, like scrolls before books…”

According to this Boston Globe article, the Cushing Academy, a New England prep school, is replacing all of its library books with a digital “learning center”:

This year, after having amassed a collection of more than 20,000 books, officials at the pristine campus about 90 minutes west of Boston have decided the 144-year-old school no longer needs a traditional library. The academy’s administrators have decided to discard all their books and have given away half of what stocked their sprawling stacks – the classics, novels, poetry, biographies, tomes on every subject from the humanities to the sciences. The future, they believe, is digital.

“When I look at books, I see an outdated technology, like scrolls before books,’’ said James Tracy, headmaster of Cushing and chief promoter of the bookless campus. “This isn’t ‘Fahrenheit 451’ [the 1953 Ray Bradbury novel in which books are banned]. We’re not discouraging students from reading. We see this as a natural way to shape emerging trends and optimize technology.’’

Instead of a library, the academy is spending nearly $500,000 to create a “learning center,’’ though that is only one of the names in contention for the new space. In place of the stacks, they are spending $42,000 on three large flat-screen TVs that will project data from the Internet and $20,000 on special laptop-friendly study carrels. Where the reference desk was, they are building a $50,000 coffee shop that will include a $12,000 cappuccino machine.

And to replace those old pulpy devices that have transmitted information since Johannes Gutenberg invented the printing press in the 1400s, they have spent $10,000 to buy 18 electronic readers made by and Sony… Those who don’t have access to the electronic readers will be expected to do their research and peruse many assigned texts on their computers…

Cushing is one of the first schools in the country to abandon its books….

This is stupid on so many levels that I forced myself to wait a full day before blogging about it so I wouldn’t rant incoherently. Let me just pose a few questions:

  • Did the librarians of Cushing Academy try to explain to their headmaster that only a small percentage of works are available in digital form, and that most of those aren’t free?
  • Before discarding their 20,000 printed books, did they consider checking to see which ones aren’t available in digital form and keeping those? (In my experience many of the best reference works only exist in print form.)
  • Did they think about the fact that even if the library pays to subscribe to subscription databases and encourages the use of free public domain works (Google Books, Project Gutenberg, etc.), that still means students won’t have access to the vast majority of works published after 1922 and still under copyright?
  • What happens when students try to do research using Google Books and discover that the works they need are only available in print form and they can’t view more than a snippet of text online? Has Cushing Academy set up any kind of interlibrary loan program so students can get access to the printed books they need?
  • Will teachers at the school be limited to using only texts available in digital form?
  • Will students be instructed in how to find, use, evaluate, and cite digital sources? (Perhaps we should start calling the Cushing Academy “the Wikipedia school.”)
  • What’s going to happen when these kids go off to college and discover that they don’t have a clue how to find or use printed sources? Will they even know that there’s a whole world of knowledge not available to them on the internet?
  • Were the parents told about this in advance so they could choose to send their children to another school instead? (Especially since this year’s tuition for the Cushing Academy boarding school is over $42,000 and the day school is over $31,000.)

I could go on, but I’m going to stop now before my head explodes. I’ll leave you with an excerpt from the transcript of a talk that James Tracy (the headmaster) gave about “Libraries Beyond Books,” which is posted on the Cushing Academy website:

This is why, at Cushing Academy, where we are dedicated to forging the most far-sighted pedagogies for twenty-first century education, we have decided to be bookless within a year.

You know [holding up a book], if I look at this book I am struck by how limited it is. This is pretty bulky. I don’t mean to belittle or disparage it. I love books, and I love the representation of culture that they embody, but, from an information perspective, this is a very, very bulky way to reposit data by today’s standards.

We should be able to hold not only this book but thousands of others in one hand. So Cushing has decided to go from a library that right now is a warehouse of 20,000 books shelved in old technology to a library of millions of books utilizing far less space and with much richer and more powerful means of accessing that information. If I want to research all the references to Churchill just in our little 20,000 volume library, it’s going to take me months and years, but I can now data mine every reference to Churchill in 7 million volumes in a matter of seconds using search engines. Moreover, we find from a check of the records that our students aren’t really using the books extensively for research, anyway. They’re already doing most of that online, and, in fact, they are checking out more music and films than books from the Cushing library.

I’ll tell you that, with the financial crisis, as a Headmaster, I no longer see the point of maintaining this huge warehouse of underutilized space that we call a library. Better to free up that space while at the same time expanding by many orders of magnitude the school community’s access to information, literature, art, music via terminals that I term “Portals to Civilization.”

Too little, too late: Wikipedia decides accuracy is good and vandalism is bad

An article in today’s New York Times revealed that Wikipedia, after years of embarrassing incidents,  “will begin imposing a layer of editorial review on articles about living people”:

Wikipedia, one of the 10 most popular sites on the Web, was founded about eight years ago as a long-shot experiment to create a free encyclopedia from the contributions of volunteers, all with the power to edit, and presumably improve, the content.

Now, as the English-language version of Wikipedia has just surpassed three million articles, that freewheeling ethos is about to be curbed.

Officials at the Wikimedia Foundation, the nonprofit in San Francisco that governs Wikipedia, say that within weeks, the English-language Wikipedia will begin imposing a layer of editorial review on articles about living people.

The new feature, called “flagged revisions,” will require that an experienced volunteer editor for Wikipedia sign off on any change made by the public before it can go live. Until the change is approved — or in Wikispeak, flagged — it will sit invisibly on Wikipedia’s servers, and visitors will be directed to the earlier version.

The change is part of a growing realization on the part of Wikipedia’s leaders that as the site grows more influential, they must transform its embrace-the-chaos culture into something more mature and dependable.

Roughly 60 million Americans visit Wikipedia every month. It is the first reference point for many Web inquiries — not least because its pages often lead the search results on Google, Yahoo and Bing. Since Michael Jackson died on June 25, for example, the Wikipedia article about him has been viewed more than 30 million times, with 6 million of those in the first 24 hours.

“We are no longer at the point that it is acceptable to throw things at the wall and see what sticks,” said Michael Snow, a lawyer in Seattle who is the chairman of the Wikimedia board. “There was a time probably when the community was more forgiving of things that were inaccurate or fudged in some fashion — whether simply misunderstood or an author had some ax to grind. There is less tolerance for that sort of problem now.”

…Although Wikipedia has prevented anonymous users from creating new articles for several years now, the new flagging system crosses a psychological Rubicon. It will divide Wikipedia’s contributors into two classes — experienced, trusted editors, and everyone else — altering Wikipedia’s implicit notion that everyone has an equal right to edit entries.

That right was never absolute, and the policy changes are an extension of earlier struggles between control and openness.

For example, certain popular or controversial pages, like the ones for the singer Britney Spears and for President Obama, are frequently “protected” or “semi-protected,” limiting who, if anyone, can edit the articles…

The new system comes as some recent studies have found Wikipedia is no longer as attractive to first-time or infrequent contributors as it once was.

Ed H. Chi of the Palo Alto Research Center in California, which specializes in research for commercial endeavors, recently completed a study of the millions of changes made to Wikipedia in a month. He concluded that the site’s growth (whether in new articles, new edits or new contributors) hit a plateau in 2007-8.

For some active Wikipedia editors, this was an expected development — after so many articles, naturally there are fewer topics to uncover, and those new topics are not necessarily of general interest.

But Mr. Chi also found that the changes made by more experienced editors were more likely to stay up on the site, whereas one-time editors had a much higher chance of having their edits reversed. He concluded that there was “growing resistance from the Wikipedia community to new content.”

To other observers, the new flagging system reflects Wikipedia’s necessary acceptance of the responsibility that comes with its vast influence.

“Wikipedia now has the ability to alter the world that it attempts to document,” said Joseph Reagle, an adjunct professor of communications at New York University whose Ph.D. thesis was about the history of Wikipedia.

Under the current system, it is not difficult to insert false information into a Wikipedia entry, at least for a short time. In March, for example, a 22-year-old Irish student planted a false quotation attributed to the French composer Maurice Jarre shortly after Mr. Jarre’s death. It was promptly included in obituaries about Mr. Jarre in several newspapers, including The Guardian and The Independent in Britain. And on Jan. 20, vandals changed the entries for two ailing senators, Edward M. Kennedy and Robert C. Byrd, to report falsely that they had died.

Flagged revisions, advocates say, could offer one more chance to catch such hoaxes and improve the overall accuracy of Wikipedia’s entries.

Foundation officials intend to put the system into effect first with articles about living people because those pieces are ripe for vandalism and because malicious information within them can be devastating to those individuals.

Exactly who will have flagging privileges has not yet been determined, but the editors will number in the thousands, Wikipedia officials say. With German Wikipedia, nearly 7,500 people have the right to approve a change. The English version, which has more than three times as many articles, would presumably need even more editors to ensure that changes do not languish before approval.

“It is a test,” said Jimmy Wales, a founder of Wikipedia. “We will be interested to see all the questions raised. How long will it take for something to be approved? Will it take a couple of minutes, days, weeks?”

Mr. Wales began pushing for the policy after the Kennedy and Byrd hoaxes, but discussions about a review system date back to one of the darkest episodes in Wikipedia’s history, known as the Seigenthaler incident.

In 2005, the prominent author and journalist John Seigenthaler Sr. discovered that Wikipedia’s biographical article connected him to the assassinations of John F. Kennedy and Robert F. Kennedy, a particularly scurrilous thing to report because he was personally close to the Kennedy family.

Since then, Wikipedians have been fanatical about providing sources for facts, with teams of editors adding the label “citation needed” to any sentence without a footnote.

“We have really become part of the infrastructure of how people get information,” Mr. Wales said. “There is a serious responsibility we have.”

I’m not impressed. Though this may prevent some of the more outrageous vandalism, it doesn’t go far enough. Why does the new policy only apply to articles on living people? What about the rest of the articles? What about the bad information that already exists throughout the site? Are the Wikipedia editors going to systematically review existing articles or only new changes to those articles? Who are these “editors” and what are their qualifications?

I’m glad there is finally some acknowledgment among the powers that be at Wikipedia that accuracy is important. But that’s not enough. If accuracy is important, you have to make it a priority and do things on many different levels to try to achieve it. You have to apply your policies to the entire site, not just some articles. You have to bring in people with knowledge, experience, and qualifications to do real editing and fact-checking. (With all of the unemployed editors, fact-checkers, and journalists out there, why not hire a few and let them work their magic.) This new policy is not really about making Wikipedia more accurate, it’s just about trying to stop the embarrassing vandalism stories that hit the news with disturbing regularity.